Antipodes Theatre Companys presents the Australian Premiere of
ORLANDO
by RACHEL LEWINDON and WILLOW SIZER
In Collaboration with the Cast
2 - 11 November 2023
fortyfivedownstairs
ORLANDO is a new electro-folk musical inspired by Virginia Woolf’s seminal novel of the same name that was first published nearly 100 years ago.
A young poet changes gender and lives for nearly 300 years in this whirlwind tale of romance and betrayal, using flourishes of poetry and satire to explore queer identity and the ease with which individuals can exist between binaries. Featuring five performers who all play the title character, this innovative theatrical and musical event is not to be missed.
This project was previously developed as part of Antipodes Theatre Company's inaugural 2020 Winter Lab, the 2021 Abbotsford Convent’s Pivot program, and received further development in 2023 leading up to production.
Runtime: 80 minutes, no interval
Recommended for audiences: 12+, parental discretion is advised.
Warnings: Themes pertaining to race, colonialism, gender and sexuality, coarse language, sexual references, misogynist language, strobe lighting, haze and smoke effects
Our Method
Our concept of ‘The FLUID Musical’ not only pays tribute to Virginia’s work, but amplifies the lived experience of our cast by workshopping the material and plot directly with and for them. By creating scenes and songs through improvisation, we inject personal lived experience into ours and Virginia’s narrative, with a focus on creativity and collaboration.
This method came from the desire to initiate change on the issues of access and representation in Music Theatre. The Music Theatre industry currently has little opportunity to give actors artistic autonomy and creative voice. We want to change that. We want to give actors respect as artists, and honour their lived experience. In order to celebrate and uplift humanity, the musicals we write should, at the core of their creation, be valuing us and our stories.
★★★★ “Ambitious, free-spirited and intelligent.” – Limelight
“Fascinating…an intriguing and immersive experience [that] still teases the imagination almost a century after it was written.” – The Age
“Breathtaking…A sublime work of theatre that once again showcases the immense talent of independent creatives” – Australian Arts Review
“Lewindon’s resplendent compositions are some of the best to come out of Australian musical theatre in recent years.” – Australian Book Review
"Uniformly gorgeous...it announces an enduring position for this fabulous independent local theatre company." - Theatre Travels
“A perfect interpretation…simply divine.” – Stage Whispers
“Haunting and richly layered…ambitious and entertaining” – Theatre Matters
“A buoyant and heartfelt work…profound and challenging” – The Blurb
“Thrilling…beautifully wrought…a lyrical, touching, thoughtful piece of theatre.” – Keith Gow
"A mesmerising production" – My Melbourne Arts
Cast & Collaborator: MARTY ALIX (they/he)
Cast & Collaborator: LOUIE DALZELL (he/him)
Cast & Collaborator: MANALI DATAR (she/her)
Cast & Collaborator: KIKKI TEMPLE (she/goddess)
Cast & Writer (in collaboration with the cast): WILLOW SIZER (they/them)
Covers: SARAH FITZGERALD (they/them), MEL O’BRIEN (she/her), TOMAS PARRISH (they/them)
Composer, Sound Designer & Musical Director: RACHEL LEWINDON (she/her)
Co-Directors: MARGOT FENLEY (she/her) & MAUDE DAVEY (she/her)
Movement Director: BELLE HANSEN (she/her)
Set & Costume Designer: BETHANY J FELLOWS
Lighting Designer: JOHN COLLOPY (he/him)
Sound Engineer: EVAN DRILL (he/him)
New Work Manager & Producer: CAMERON STEENS (they/them)
Resident Stage Manager: ASHLEIGH WALWYN (she/her)
Biographies are available below.
Artistic Director & Producer: BRANDON PAPE (he/him)
Musicians: RACHEL LEWINDON (she/her) and IMOGEN CYGLER (she/her)
ASM: TIAH BULLOCK (she/her)
Sound Operator: RAMI BOLES (he/him)
Voice of Virginia Woolf: KRISTEN SMYTH (she/her)
Casting & Cultural Consultant (Development): KUDA MAPEZA (she/they)
Cultural Consultant (Development): CHELS MORGAN (they/xe)
Vocal Consultant: ZARA STANTON (she/her)
Publicist: CAMERON LUKEY (he/him)
Graphic Design & Social Media: CHLOE TOWAN (she/her), using elements by ROB CHIVERS (PUSH Collective)
Production Photos: ANGEL LEGGAS (he/him, 3 FATES MEDIA)
Promo makeup: CLAIRE BLOWERS (she/her)
Crew: CONOR BEAUMONT, VANESSA GREGORIOU, CHRIS PATRICK HANSEN, CAMERON STEENS, LEWIS SPRAGG
Meet the Cast & Collborators
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Marty Alix
They/He
CAST & COLLABORATOR
Marty trained at VCA and made their professional stage debut in In The Heights (Blue Saint Productions, Hayes Theatre, Helpmann nomination), going on to perform in Bring It On (David Venn Enterprises), Rent (James Terry Collective), and Spamalot (One Eyed Man Productions) and Hamilton (Michael Cassel Group, Sydney Theatre Award). TV credits include Bump and The Feed.
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Louie Dalzell
He/him
CAST & COLLABORATOR
Louie is a National Theatre trained actor and singer, and enjoys creating lively and contemporary theatre. Theatre credits include How Long Is A Piece Of String? (Live Witness Theatre), Unsorted (dir. Tara Daniel), The Dark Web (Bottled Snail Productions), and the short film Bindings (Seb Bardouille-Thompson). Cabaret credits include T4t: a Transgender Showcase (prod. Olly Lawrence, Melbourne Fringe), Winter Showcase (Melbourne Actors Guild), What’s Next? (Wit Inc), Maybe This Time Cabaret (Be You Inc), Broadway Unplugged (Be You Inc).
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Manali Datar
She/Her
CAST & COLLABORATOR
An Indian-born singer, actor, writer and musician who grew up in Meanjin (Brisbane). After graduating from VCA in 2018, Manali originated the role of Rose Granger-Weasley in the Australian production of Harry Potter and the Cursed Child. Manali is currently working on her screenplay, her solo music projects as well as writing with her band, Ultrafine. She now lives and works on Wurundjeri land and acknowledges that sovereignty was never ceded.
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Willow Sizer
They/Them
WRITER (IN COLLABORATION WITH THE CAST)
An emerging queer creative and actor. They are a multi-Green Room Award nominee including; ‘Best Year’s Work’ encompassing their performance work in Legally Blonde (James Terry Collective) and Ghost Quartet (Antipodes Theatre Co). That same year, their cabaret, Death of a Demi Diva, was nominated for Best Original Music and Best Music Direction. Most recently, Willow performed at the 2022 Brisbane Festival in a month-long residency focussed on community activation and empowerment with Finucane and Smith’s Travelling Dance Hall and starred as Medea in Steven Mitchell-Wright’s Medea: Out of the Mouths of Babes at TheatreWorks.
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Kikki Temple
She/Goddess
CAST & COLLABORATOR
A Maori playwright, actress and artist. Takatāpui, Kikki is making moves in Naarm and is proving to be one of the most important voices in her field making art with a Pasifika voice. Based on Boonwurrung country, her notable works include And She Would Stand Like This (Antipodes) and BURGERZ (Theatreworks). She is currently writing two new works being staged in 2024.
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Sarah Fitzgerald
They/Them
COVER
Sarah has worked on many plays, projects and short films including Oh No! Satan Stole My Pineal Gland (Melbourne Fringe), The Great Australian Play (Montague’s Basement) and SLAP. BANG. KISS. (Melbourne Theatre Company). They were recently in the short film House of Whoreship directed by Holly Bates. They are a queer actor with an Anglo-Indian background and are a member of the MEAA.
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Mel O'Biren
She/Her
COVER
Mel O’Brien is an award-winning performer, comedian and writer who is fresh off the heels of starring as Lily in the critically-acclaimed musical ‘FANGIRLS’ at the Sydney Opera House. Classically trained at the Melbourne Conservatorium of Music (BMus - Voice, Master of Music - Voice) and NIDA (Dip. Musical Theatre) and with experience across musical theatre, cabaret, opera, stage and screen, she is an extremely versatile artist with particular passions for comedy, collaboration and new work.
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Tomas Parrish
They/Them
COVER
Tomas is a multidisciplinary artist born on Dharawal Country, Wollongong, and acknowledges the Dharawal People's sovereignty, and their continued connection to lands, skies, waterways and culture. Tomas is a graduate of the VCA, and since has worked in a range of capacities: from singing backup vocals for Patti Lupone at Hamer Hall, to leading the Green Room Award winning play When The Light Leaves as Dan (La Mama).
Meet the Team
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Rachel Lewindon
She/Her
COMPOSER AND MUSICAL DIRECTOR
An award-winning composer, sound designer, pianist and musical director. Her sound palette has developed from her classical piano background with contemporary influences of voice, processive ensemble work and timbral electronic synthesis. She is thrilled to have had her work premiered both internationally and nationally as well as enjoying frequenting the local parks with her canine companion, Henry. Upcoming work can be found at www.rachellewindon.com
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Willow Sizer
They/Them
WRITER (IN COLLABORATION WITH THE CAST)
An emerging queer creative and actor. They are a multi-Green Room Award nominee including; ‘Best Year’s Work’ encompassing their work in 2019; playing Paulette in Legally Blonde (James Terry Collective), Pearl White in Ghost Quartet (Antipodes Theatre Co). Their cabaret, Death of a Demi Diva, was also nominated for Best Original Music and Best Music Direction. Most recently, Willow performed at the 2022 Brisbane Festival in a month-long residency focussed on community activation and empowerment with Finucane and Smith’s Travelling Dance Hall and starred as Medea in Steven Mitchell-Wright’s Medea: Out of the Mouths of Babes at TheatreWorks.
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Margot Fenley
She/Her
CO-DIRECTOR
Margot is an actor, intimacy professional, director, devisor and educator, originally trained as an actor at the VCA. She has performed with MTC, State Theatre Company of South Australia, Arts Centre Melbourne, La Mama, and fortyfive downstairs, amongst others, as well as in various tv series. Margot trained as an intimacy professional with IDC (USA) through an MEAA-Equity Foundation scholarship, and works as such in stage, screen and educational contexts. Margot has had an extensive teaching career, both in Melbourne and the USA. She is represented by Ian White Management and has been a member of Actor’s Equity. https://margotfenley.com
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Maude Davey
She/Her
CO-DIRECTOR
Maude trained as an actor at VCA and has worked as an actor, director and writer for more than twenty-five years, with her primary focus being the creation of new work. Her latest work as Director/Producer has been Gender Euphoria: Mighty Real, for Arts Centre Melbourne and Sydney World Pride. Recent acting credits: Blessed Union (Belvoir), The Heartbreak Choir (MTC), Melancholia (Green Room Award, Malthouse). In 2019 she appeared in Anthem for Arts Centre Melbourne at the Melbourne, Sydney and Perth Festivals.
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Bella Hansen
She/Her
MOVEMENT DIRECTOR
A theatre maker, director and performer who has devised and performed new work with companies across Australia including Queensland Theatre, Zen Zen Zo Physical Theatre, Rawcus and was a 2022 Associate Artist at Theatre Works. She is a graduate of VCA with a Bachelor of Fine Arts (Theatre) and the co-founder and artistic director of Frenzy Theatre Co. She is passionate about creating space for early career artists to explore their discipline and championing the new voices of the future. She has performed at many notable programs including at Malthouse Theatre, Rising Festival, La Mama Courthouse, Martyn Myer Arena, Platform Arts, The Engine Room and has had her work seen Internationally.
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Bethany J Fellows
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SET & COSTUME DESIGNER
Bethany is a Melbourne based artist and theatre designer. Holding a Bachelor of Fine Art from the University of Newcastle and a Bachelor of Fine Art with Honours from Monash University in live art and participatory practices. They studied at the VCA under the Masters of Design for Performance program. Bethany is a frequent collaborator with Kitan Petkovski: In The Club, Burgerz, No Ball Games Allowed (Green Room Nomination), The Gospel According to Jesus Queen of Heaven (Green Room winner – Best Production). Other credits include Cut, Hercules, Archimedes War.
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John Collopy
He/Him
LIGHTING DESIGNER
A Green Room Award-winning lighting designer who works across theatre, circus, and dance. Recent credits: A Dodgeball Named Desire, Animal Farm, and Paradise Lost (Bloomshed, Green Room Award for Best Lighting Design – Independent Theatre); In Common, Sensory Decadence, and Kilter (One Fell Swoop Circus), The Grief Trilogy (VIMH), object-shun/SERMON (Dancehouse, Erin O’Rourke/Rhys Ryan), Just a Boy, Standing in Front of a Girl (15 Minutes From Anywhere).
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Imogen Cygler
She/her
MUSICIAN
Imogen is a contemporary songwriter, composer, and performer. This year she released her debut album ‘Sometimes Strangers’, a collaborative EP with R. P. Downie, ‘Yoga’ and EP ‘Night Lamp’, from a project with Theo Carbo, ‘My Liege’, recorded with Kyrre Laastad at Sundlaugin Studio in Iceland. Cygler has worked with artists including Way Dynamic, Sunfruits, Juice Webster, Jade Alice, Happy Axe and Lack the Low as well as on a number of films and theatre shows for the Melbourne Fringe Festival, MIFF, Melbourne Cabaret Festival and more. Cygler’s production credits include Isobel Caldwell’s 2022 album ‘Duty of Care’.
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Evan Drill
He/Him
Sound Engineer
Evan trained at the Victorian College of the Arts and began a career in sound design with the VCA Music Theatre school’s first tour, Tribe. He spent many years touring with musicals including Phantom of the Opera, Les Miserables, Mamma Mia!, Barnum, The Boy From Oz, King Kong, Legally Blonde and Kinky Boots. Evan’s sound design credits include Dreamsong (Theatreworks), Madiba (AU/NZ tour), Ghost Quartet, Passing Strange, Guys and Dolls (Antipodes), Heathers (Aus tour). Most recently, Evan has been the Associate Sound Designer for Midnight! The Cinderella Musical and Rocky Horror 50th Anniversary Tour.
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Brandon Pape
He/Him
ARTIST DIRECTOR & PRODUCER
Brandon directed the Australian Premiere of 'Ghost Quartet' (two 2020 Green Room Award Nominations, return season in 2021) and co-directed with Trudy Dunn their immersive reimagining of ‘Guys and Dolls’ at Chapel Off Chapel in August 2023. Other Antipodes credits include Sam Martin's 'Sam I Am' (sold out season at La Mama, Victorian Premiere), 'And She Would Stand Like This' (Australian Premiere), 'Passing Strange' (Australian Premiere, five 2023 Green Room Award Nominations), and the Winter Lab - Antipodes' annual development program for new work and bold ideas.
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Cameron Steens
They/Them
NEW WORK MANAGER & PRODUCER
A Naarm/Melbourne based multidisciplinary theatre maker, WAAPA music theatre graduate and all-round creative.
Cameron is known for their keen interest in new work, has run multiple creative and networking programs - supporting artists in all stages of their careers, and has established themself as an excellent programmer having leased theatres for Gasworks Arts Park. In 2023, they were appointed as the first New Work Manager for Antipodes Theatre Company.
Credits include: This Is Living and If We Got Some More Cocaine… (Gavin Roach presents), Winter Labs 2020 -2023 (Antipodes Theatre Company), Pear-Shaped (Rogue Projects), Protein (Autonomous Inventions), MIMMA (dir. Adam Mitchell), JTC’s RENT (dir. Mark Taylor) & BSSTC’s Assassins (dir. Roger Hodgman). www.cameronsteens.com
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Ashleigh Walwyn
She/Her
RESIDENT STAGE MANAGER
A stage, Production, and Company Manager, originally from the UK. She grew up and found her love for theatre in Malaysia before graduating from VCA. Credits include ASM for Mr Burns, a post-electric play (Lighting Jar Theatre), Special Events Stage Manager for MICF, Senior Stage Manager/Back of House Caller for Victorian State Schools Spectacular (Dir. Neill Gladwin), and Stage Manager for Punk Rock (Patalog Theatre), Bright Star (Pursued By Bear), LAND, ANALOG (Three Fates Theatre Company), Ghost Quartet, Guys and Dolls (Antipodes Theatre Company), The View From Up Here, The Grief Trilogy (VIMH) and The Mentor (Bravo Arts).
Venue Information:
fortyfivedownstairs
45 Flinders Ln, Melbourne VIC 3000
Accessibility information available here.