STORKED

They/Them

WRITER & PERFORMER

Myfanwy is an artist living and working in Narrm. As an actor, writer, poet, theatremaker, and teacher, they are most interested in queer, feminist works that interrogate and challenge society as it exists under patriarchy and capitalism. Myfanwy has worked as a performer with the MTC, Theatre Works, and NORPA Lismore. Their plays have been shown in Melbourne and Edinburgh. Myf is also a professional voice actor, having narrated numerous audiobooks. Seeking to queer traditional dramatic formats, Myf is fascinated by how we can alter the current theatrical climate in Narrm. Myf is a double graduate of the VCA, attaining their BFA in Acting (2019) and their Masters in Writing for Theatre (2021).

They/Them

DRAMATURG

Bridget trained as a director at the VCA and works primarily with new Australian writing. From 2020 to 2023 they were Director in Residence at the Malthouse in Melbourne. For Malthouse, Bridget has directed Nosferatu by Keziah Warner, K-Box by Ra Chapman and Stay Woke by Aran Thangaratnam. For the Malthouse Bridget was also Assistant Director on the large-scale immersive work, Because The Night. Other directing credits include Fast Food (Red Stitch),  HYDRA (Darebin Arts), She is Vigilante (Theatre Works), MORAL PANIC (Darebin Arts), Desert, 6.29pm (Red Stitch Actors’ Theatre/Wuhzen Theatre Festival), GROUND CONTROL (Next Wave/Brisbane Festival), Jurassica (Red Stitch Actors’ Theatre/Critical Stages), and Kids Killing Kids (Next Wave). 

She/Her

DIRECTOR

An actor, writer and director, working in and out of Naarm (Melbourne). Most recently she directed Frankie van Kan in 'A Body at Work' at La Mama, a show about stripping and sex work; appeared in Patricia Cornelius’s 'My Sister Jill' for the Melbourne Theatre Company; presented her own work ‘My First Bike’ with Jane Bayly at La Mama; appeared in ‘Blessed Union’ by Maeve Marsden for Belvoir Street Theatre Company. She teaches regularly at VCA and is a PhD candidate at La Trobe University.

They/Them

DEVELOPMENT COORDINATOR

Flick is a writer, dramaturg and creative producer. Flick has worked on projects and programs with La Mama, Australian Plays Transform, Darebin Arts, ATYP, Arts Access Victoria, La Mama, Rawcus, YDAS, Antipodes Theatre, Opera Express and more. As a writer they’re best known for the staged lesbian sci-fi series SLUNTIK™, and their work has been published with Osborne and Fawkner Publishing, Humana Obscura, CREATurE Magazine, and YDAS. They are a panellist for the Green Room Awards Association and a proud member of the MEAA. Flick is based in Naarm, and can be found on Instagram @flickflickcity or online flickflickcity.net.

He/Him

PRODUCER & ARTISTIC DIRECTOR

Brandon is the Founding Artistic Director for Antipodes Theatre Company, where he directed Ghost Quartet (two 2020 Green Room Award Nominations, return seasons in 2021 and upcoming Sydney season in 2025) and co-directed with Trudy Dunn their immersive reimagining of Guys and Dolls (thirteen 2024 Green Room Award nominations). Other Antipodes credits include Sam I Am, And She Would Stand Like This, Passing Strange (five 2023 Green Room Award Nominations), Orlando, and the Winter Lab - an annual development program for new work and bold ideas.

They/Them

PRODUCER & NEW WORK MANAGER

A Naarm based multidisciplinary theatre maker, WAAPA graduate and all-round creative. As Antipodes’ New Work Manager, they've produced numerous developments and networking programs (including Winter Labs 2020 - present, Festival of the Unseen 2023) in addition to the premiere of Orlando, Antipodes' first production originating from the Winter Lab. Other credits include: This is Living (Assoc Director, Gavin Roach), Guys & Dolls (Production Manager, Antipodes), Protein (Assist Director & Sound Design, Autonomous Inventions), MIMMA (dir. Adam Mitchell), JTC’s RENT (dir. Mark Taylor) & BSSTC’s Assassins (dir. Roger Hodgman). www.cameronsteens.com