2026 ARTIST RESIDENCIES
A DEDICATED SPACE FOR ARTIST-LED DEVELOPMENT
These artist-led residencies provide opportunities for creators of new work to explore, play, and experiment in a dedicated work space for one or two-week residencies (20-40hours) throughout the year.
Antipodes HQ - 123A Thistlethwaite St, South Melbourne
Residencies include access to space and equipment in-kind (no artist or hire fees are included as part of residencies). Antipodes work with Lead Artists to establish the best schedule for the residency based on venue and artist availability. Lead Artists will be inducted to access and close the work space on their own.
2026 LEAD ARTISTS & PROJECTS
THE 5 STAGES OF PIG BUTCHERING by MYF POWELL (she/her)
ASSAM LAKSA by SHANE WOON (he/him)
CAMPERVAN: AN OZPLOITATION HORROR MUSICAL by GERALDINE QUINN (she/her)
DR PATHICUS’ UNNATURAL ADVENTURES by FRAN SWEENEY-NASH (they/them) & CHARLIE LEE (they/them)
THE ERASER by ROBERT LEWIS (he/him)
F*CK! I KILLED THE DIRECTOR by ALANA LOUISE (she/her) & JASON SCHWAB (he/him)
GYM RATS by MILL CRAVEN (he/they)
HOLDING OUT FOR A HERO (working title) by BRONTE CHARLOTTE (she/her)
ICARUS AND THE MINOTAUR by SARAH HARTNELL (he/she/they)
JOURNEY OF THE TRUE SELF by R JOHNS (she/her) & ALIYA ABOO (she/her)
MUCK UP DAY by INDRA LIYANAARACHCHI (he/him)
SOAPBOXED by MEGAN HERBERT (she/her), with LUCINDA COWDEN (she/her) and RYAN MOLONEY (he/him)
THE WAVE by JAYDE KIRCHERT (she/her) & ERIN MCKELLAR (she/her)
Mid-Late June: MUCK UP DAY by INDRA LIYANAARACHCHI (he/him)
In their final week of school, five students at St Mary’s Christian College prepare to face the rest of their lives. As a reckless plan begins to unfold, these kids will learn that choices have consequences, and while their frontal lobes start to kick in so does reality.
Mid-Late July: ICARUS AND THE MINOTAUR by SARAH HARTNELL (he/she/they)
When Icarus lands in the centre of the Minotaur’s labyrinth, he expects to find a monster. Instead he meets a lonely boy with the head of a bull, who plants flowers, befriends birds, and saves him.
Mid-Late July: THE WAVE by JAYDE KIRCHERT (she/her) & ERIN MCKELLAR (she/her)
A heatwave. A high-needs cat. A relationship on the brink. The Wave is a sung-through comedy about love, climate chaos and finding the courage to choose your own future.
August: CAMPERVAN: AN OZPLOITATION HORROR MUSICAL by GERALDINE QUINN (she/her)
Gen X slasher comedy musical about friendship, betrayal and sacrificing everything (and we mean EVERYTHING) for art.
August: DR PATHICUS’ UNNATURAL ADVENTURES by FRAN SWEENEY-NASH (they/them) & CHARLIE LEE (they/them)
Dr. Pathicus is perplexed (and perhaps a little aroused) when an omnipotent entity plunges him deep into the sea. Soaked in desire, will he bring what is found in those murky depths to light?
August: JOURNEY OF THE TRUE SELF by R JOHNS (she/her) & ALIYA ABOO (she/her)
A true story of a heroine’s epic journey transitioning cultures, genders and countries with music and songs. The fabric of cultural identity emerging from a suitcase.
Early September: SOAPBOXED by MEGAN HERBERT (she/her), with LUCINDA COWDEN (she/her) and RYAN MOLONEY (he/him)
A soap opera trapped in a reality show made for the theatre about the future of the Arts in a world of tech. Expect laughter, tears, romance, a race against the clock… and blackouts.
Early September: F*CK! I KILLED THE DIRECTOR by ALANA LOUISE (she/her) & JASON SCHWAB (he/him)
Blood-splattered silks, taut hairnets and two actors attempting to debut their adaptation of Shakespeare’s Romeo and Juliet moments after killing their director. Accidentally.
Late September: ASSAM LAKSA by SHANE WOON (he/him)
A migration story centred on food tracking the matrilineal line of a family from China to Malaysia to Australia.
Early October: GYM RATS by MILL CRAVEN (he/they)
When Crack Fitness’ resident bodybuilding protein-slut DICK befriends incognito trans-masc-hunk DEZ, they wrestle with self-worth, connection, and how much they are willing to suffer for their gains.
November: THE 5 STAGES OF PIG BUTCHERING by MYF POWELL (she/her)
A contemporary opera exposing the human stories behind online romance-investment scams, exploring trust, manipulation and exploitation on both sides of the screen.
November: THE ERASER by ROBERT LEWIS (he/him)
When a missing girl is erased from history itself, her mother must confront a terrifying question: If no one remembers you, were you ever here at all?
Early December: HOLDING OUT FOR A HERO (working title) by BRONTE CHARLOTTE (she/her)
The 80s gave us iconic music and artists with histories of assault we chose to ignore. One woman. One stage. One question we’ve been avoiding: Can we separate art from the artist?
Meet the 2026 Residency Lead Artists
All submissions are reviewed by the Antipodes Team.
Artistic Director: BRANDON PAPE (he/him)
New Work Manager: CAMERON STEENS (they/them)
Meet the Antipodes Team
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Brandon Pape
He/Him
ARTISTIC DIRECTOR
Brandon is the Founding Artistic Director for Antipodes Theatre Company, where he directed Ghost Quartet (two 2020 Green Room Award Nominations, return seasons in 2021 (Meat Market Stables) and 2025 (Hayes Theatre) and co-directed with Trudy Dunn their immersive reimagining of Guys and Dolls (thirteen 2024 Green Room Award nominations). Other Antipodes credits include Sam I Am, And She Would Stand Like This, Passing Strange (five 2023 Green Room Award Nominations), Orlando, and the Winter Lab - an annual development program for new work and bold ideas.
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Cameron Steens
They/Them
NEW WORK MANAGER
A queer, neurodivergent theatre maker based in Naarm, originally from Boorloo. A WAAPA Music Theatre graduate, they work as a creative producer, director and performer. Antipodes’ New Work & Marketing Manager and a Producer on numerous developments including the Winter Labs, Death to a Butterfly, Silver Tongue, Little Squirt (prev. Spunk Daddy), the premieres of Orlando, Storked ,月を見る夜 Moongazing, Back to Te Maunga, the Festival of the Unseen and the Hayes Theatre season of Ghost Quartet. Other credits include: The Last Sunday in June, MIMMA, James Terry’s RENT & BSSTC’s Assassins (Performer). AMTAC Sessions (Co-Producer), This is Living, Pops and If We Got Some More Cocaine… (Associate Director), Protein (Assist. Director & Sound Design) and Venue & Ticketing Coordinator (Gasworks Arts Park). www.cameronsteens.com